The Grass Needs to Be Cut

PHOTOGRAPHY

Dec 15

The Grass Needs to Be Cut is a photographic project made in northern Portugal by Bruno Pereira Ribeiro, unfolding across seasons and repeated encounters with the tradition of Chegas de Bois. Through bulls, landscapes, and social rituals, the work examines power, place, and community, revealing a nuanced portrait of a region shaped by tradition and environment.

Photography Bruno Pereira Ribeiro

The photographs presented here were made in the northern interior of Portugal across different seasons, during repeated encounters with the deeply rooted tradition of Chegas de Bois. The artist returns to the same situations and spaces at different times, drawn to the bulls, symbols of regional power, and the surrounding mountains. While bullfights are a central element, the work focuses on the broader context of tradition, social interactions, and environment, offering a deeper and more nuanced understanding of the region’s unique cultural landscape.

“I found myself in the same situations, same spaces, but at different times, drawn to the bulls, symbols of the region and power, and the mountains.”

About Name

Bruno Pereira Ribeiro (b. 1197, Guimarães) is a photographer and director. He studied photography in Porto and has been working independently ever since, developing long-term projects while collaborating on commercial assignments.

His project The Grass Needs to Be Cut was selected for the Revela’t Festival in Barcelona and has been featured in various magazines and platforms, marking an important moment in his ongoing exploration of cultural transformations in inland Portugal.

He is currently pursuing further studies and research focused on territory and documentary representation, while continuing to combine his authorial work with commissions for various clients and agencies.

To see more of his work, visit his website or follow him on Instagram

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The Grass Needs to Be Cut

The Grass Needs to Be Cut is a photographic project made in northern Portugal by Bruno Pereira Ribeiro, unfolding across seasons and repeated encounters with the tradition of Chegas de Bois. Through bulls, landscapes, and social rituals, the work examines power, place, and community, revealing a nuanced portrait of a region shaped by tradition and environment.

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The Grass Needs to Be Cut

“I found myself in the same situations, same spaces, but at different times, drawn to the bulls, symbols of the region and power, and the mountains.”

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