PHOTO STORIES
Paw Paradox
Paw Paradox is a thought-provoking project by German photographer Caroline Heinecke that explores the surreal history of animal trials — where pigs, insects and even elephants were brought before human courts. By blending AI-generated imagery with documentary photography, Heinecke investigates the shifting boundaries of legal rights, ownership and agency between species.
Days on the Way
Shot entirely on an iPhone inside the women-only carriages of the Tehran–Karaj metro line, Days on the Way is Parastoo Ghahremanifard’s raw and poetic study of in-between moments. What begins as a daily commute unfolds into a meditation on silence, repetition, and quiet defiance. Parastoo documents a suspended reality where exhaustion is etched into faces. In this overlooked public space, the everyday becomes a stage for both weariness and resilience.
ENNUI
With ENNUI, Giuliana Borrelli reflects on the quiet weight of disconnection and the search for self within the spaces we call home. Moving between her childhood home in Italy and her current life in Norway, the project traces a deeply personal journey — one marked by silence, longing, and the slow, transformative act of reclaiming identity.
Soumoud In Dark Times
In Soumoud In Dark Times, Palestinian artist Rehab Nazzal documents life under siege in the West Bank during Israel’s intensified occupation from October 2023 to November 2024. Through 41 poignant images, she captures devastation, resilience, and the visual truth of a people resisting erasure during what many have called a live-streamed genocide.
Bravo
In Bravo, artist Felipe Romero Beltrán crafts a quiet yet powerful meditation on migration, identity, and resilience along the US–Mexico border. Set within the charged landscape of the Rio Bravo, his work captures the tension of waiting, where absence speaks as loudly as presence and time itself becomes a suspended, fragile state.
You Never Walk Alone
You Never Walk Alone, a photo series by Katya Ilina, offers an intimate portrait of London’s K-pop fandom. With warmth and clarity, Ilina captures a vibrant subculture where predominantly female and queer fans reclaim space, challenge gendered biases, and transform shared passion into a powerful expression of identity and joy.
Chrysalis
Chrysalis is a visual series by Georgiana Feidi, a Cluj-Napoca–based artist whose work bridges digital and analogue techniques. Exploring Earth as a living organism in transformation, Feidi blends surreal imagery, post-processing and ethereal tones to reflect on nature’s cycles, human interconnectedness, and the quiet power of planetary renewal.
What truly defines us?
Elzbieta Zdunek’s digital collages explore themes of identity, perception, and the pressure of external judgment. Her work questions how many versions of the self exist, shaped by context and subjective interpretation. Through repeated visual elements, she highlights the cyclical nature of human behaviour, the illusion of choice, and the constant tension between how we see ourselves and how we are seen by others.
Lipsticks
Objects hold stories. Not just in their use, but in their wear, their shape, and the silent they witness. In the intimate space where beauty meets routine, something deeper is revealed. This project by Stacy Greene began with a glance, but quickly unfolded into a quiet investigation of identity, memory, and form.
Die Schlange (The Snake)
With her project Die Schlange, photographer Nancy Jesse presents a hauntingly intimate and cinematic portrayal of life within a surreal architectural organism. The vast Berlin housing complex has been built above a motorway and contains over 1,000 apartments. Her use of light and framing evokes a dreamlike, almost dystopian atmosphere—subtly echoing the building's strange, pulsating core.
Fists of Hope
Fists of Hope, a quietly powerful photo documentary by Olaoluwa Olowu, follows the life of Janet, a young female boxer fighting to rise in Ghana’s male-dominated boxing scene. Set against the raw backdrop of Jamestown, this project captures not only the physical intensity of her training but also the emotional endurance required to survive invisibility, poverty and systemic neglect.
Mi Faddi
Mi Faddi by photographer Aisha Hanan Buhari is a poignant series of conceptual portraits featuring her siblings. Exploring themes of protection, family and privacy, the work reflects the challenges of living in the public eye. Rare nautilus shells are physically placed on top of the images, symbolically shielding the subjects and emphasising their preciousness in both personal and universal contexts.
Liminal Spaces
In her series, Katherine Flynn explores the beauty of liminal space—those transitional states found in abandoned landscapes and within ourselves. Working from a desert junkyard turned creative lab, she repurposes found VW mirrors and doors to frame her images, transforming discarded objects into vessels of memory, stillness, and reflection.
People Watching: Pretzel Cage
With the launch of his new photo studio in Hackney Downs, portrait artist Matt Ford introduces People Watching—an ongoing series of short video portraits featuring the individuals he photographs in the space. We are proud to present the first film featuring performance artist Pretzel Cage.
At Work
Photographer Kip Harris brings At Work to Place M Gallery in Tokyo, showcasing four decades of environmental portraiture. From Morocco to Peru, his images celebrate the quiet dignity of labour, capturing craftsmen, street vendors, and everyday workers immersed in their element. The exhibition runs May 26 – June 1.
The Anthropocene Illusion
British photographer Zed Nelson has just been awarded ‘Photographer of the Year’ for his series ‘The Anthropocene Illusion’. His work focuses beyond the destructive human impact on the natural world, examining the sterile environments humans have built to satiate our craving for natural spaces. We spoke exclusively to Zed about what inspired him, his approach and how the project developed over the course of six years.
America
Photographer Magdalena Correa presents a powerful selection of photographs at Tönnheim Gallery in Carabanchel, Spain. The exhibition revisits her most emblematic projects in Latin America, portraying remote communities through an immersive and poetic lens that captures both the rawness and surreal beauty of life on the margins.
In the Quiet Heart
In the Quiet Heart is photographer Amaan Ali’s personal take on summer camp — not just the fun and games, but the quieter moments that often go unnoticed. His images are tender and observant, capturing kids on the edges: lost in thought, drifting away from the crowd. There’s a stillness to them that lingers — a quiet honesty that feels rare and real.