In this intimate exploration, Maria Harris-Sutton explores the delicate intersection of the material and spiritual worlds. Her photographic series, Daydream, captures the ethereal space between these realms, offering a personal reflection on memory, spirituality, and the elusive moments that shape our understanding of self and connection.

In a quiet corner of North London, where tradition meets dedication, Salle Paul Fencing Club has been shaping champions and nurturing a love for the sport since the early 1930s. Stepping inside the club on a buzzing weeknight, the energy is palpable—fencers of all ages sparring across metallic pistes, blades clashing rhythmically in a blur of movement. At the centre of this hub is Pete Eames, the Club Secretary, who offered an insightful look into Salle Paul's unique philosophy, its deep history, and its inclusive approach to fencing.

In Iron Curtain, Polish photographer Natalia Kepesz travels from Estonia to Ukraine, tracing the emotional and psychological impact of war and proximity to Russia. Through powerful portraits and quiet observations, she captures a continent on edge—where young people adjust their dreams, elders recall past horrors, and borders quietly reshape everyday lives.

In a remote valley of Northwest Pakistan, Danish photographer Laura Riis documents a quiet transformation. Her project captures the personal and cultural complexities of religious conversion among the Kalash—a small indigenous community navigating the tension between ancestral traditions and Islam. Through tender, intimate portraits, Riis explores faith, identity, and the difficult choices faced by a new generation.

Elias Yannas Tsigounis is the winner of the inaugural ZERO.NINE Award, selected at the Cluster Photography & Print Fair 2025. His series Elegos focuses on Elias’ understanding of death as a transformative experience, following his attempt to understand his father’s passing. Elias’ work is dreamlike and abstract, but there is a physicality to the construction of these images that set his work apart. We spoke to Elias about what his work means to him.

Photographer Ioanna Sakellaraki presents a poetic exploration of disaster and resilience in the Pacific Ring of Fire. Through haunting imagery of Melanesia, the project blurs the line between history and myth, destruction and survival. The Mark of a Terrible Sun will be on view at Hillvale Gallery, Melbourne, Australia, from April 10 to May 11.

Ghost Notes: Portrait of Punk in Derby explores Derby’s enduring punk spirit through portraits and sound, capturing how this subculture shapes identity and community. Commissioned by FORMAT Festival, photographer Francis Augusto documents punk’s evolution—from radical roots to modern expressions—revealing a vibrant, intergenerational movement that continues to challenge norms and foster creativity in unexpected spaces.

‘In The Shadow We Bloom’ explores themes of isolation and anonymity within South Korea's urban landscapes. Capturing people, animals, and objects, the series juxtaposes curated social media personas with the impersonal nature of city life. Through this lens, photographer Aram Tanis examines the tension between self-representation and the reality of contemporary urban existence.

Joe Hart’s photography series immerses us in the world of the Shetland Pony Grand National, where young riders chase dreams with determination and grit. More than a competition, it’s a tradition built on passion, community, and ambition—showcasing the dedication of these athletes and the charitable spirit that drives the event forward.

Photographer Valentina Luraghi explores the overlooked struggles of women battling this condition, often dismissed by medical professionals. Through intimate portraits, the series captures the exhaustion, anxiety, and resilience of those affected. Different women, united by their fragility and strength, reveal the silent weight of anemia and the fight to be heard.

Dear Father redefines the father-son dynamic through role reversal, exploring acceptance and identity. In this intimate project, Danilo Zocatelli paints his father’s face, shifting their long-established roles. By revisiting childhood spaces and challenging perceptions, the work becomes both a personal reconciliation and a powerful statement on transformation, memory, and understanding.

Through self-portraiture, photographer Foteini Zaglåra explores identity, memory, and transformation, blurring the line between reality and fiction. Combining performance, symbolism, and narrative storytelling, her work examines beauty standards, grief, and mythology. She offers a deeply introspective reflection on the self in an era shaped by digital personas and societal expectations.