Capturing the unseen

PHOTOGRAPHY

Oct 30

At East London’s She Lost Control, Aura photography offers a glimpse beyond the visible. Based on Kirlian-inspired photographic techniques, these sessions capture your energy as a radiant Polaroid image—an exquisite reminder that we are more than our digital selves. ZERO.NINE founders Christian Trippe and JC Verona tried this unique experience.

Words Brenda Otero  Aura Photography/Reading Alice Briselden-Waters at She Lost Control

We’re all a little bit tired of filters, bots and AI-generated content, aren’t we? We long for something that isn’t contained in a little screen, perhaps something mysterious, intimate and beautiful that we cannot fully comprehend. That’s why we are in the back of the Broadway Market shop She Lost Control, hoping to see the invisible. As part of their Aura photography reading sessions, the SLC practitioners combine a specific photographic technique with energy reading. And we are all in for it.

Aura photography allows you to capture your personal energy with a camera lens. In 1939 Russian electrical engineer Semyon Kirlian and his biologist wife Valentina discovered that electricity could generate a halo around the body. They started experimenting, placing a hand on an electrified photographic plate, producing a glowing silhouette. This electrographic process, which registered a luminescence the Kirlians believed to be linked to the supernatural, is the basis of Aura photography. Their work became popular in the Western world during the 70s through the book Psychic Discoveries Behind the Iron Curtain, and led to a resurgence of Aura photography in California during the early 1980s. An engineer called Guy Coggings released a camera which will be known later as the AuraCam 600. His technique updated Kirlian’s methods with an instant film camera and plates with biodata sensors. These cameras are still used today by some US practitioners.

One of our founders, JC Verona, during the consultation before the Aura picture was taken by Alice Briselden.

“We use biometric sensors, a technology similar to the one in passport controls, to read the different acupressure points in your fingers, heart rate, sweat levels… and that converts into what we see in colours printed in Polaroid which is a nice keepsake.”

Jen Purvis, Manager SLC

She Lost Control Aura readings are based on the principle of Kirlian in a modern way and use biodata sensors to create an instant film image which shows a radiance around your likeness, a portrait of you and your energy. “We use biometric sensors, a technology similar to the one in passport controls, to read the different acupressure points in your fingers, heart rate, sweat levels… and that converts into what we see in colours printed in Polaroid which is a nice keepsake”, explains Jen Purvis, manager of SLC. “Our readers analyse the shades according to the chakra system. It’s not a psychic or clairvoyant work, it has to do with what’s happening to you at that precise moment. We have a conversation and we ask related questions.” In the past 5 years doing the readings, the team has done tests before and after gong baths or energy work, and they have seen a difference in the halo around the same person.

Our Polaroid photos are a thing of beauty, full of rich colours and infused with a kind of magic. And that time focusing inward definitely led us to a moment of self-exploration and discovery. As they say in SLC, ‘We are energy’, and this image is a reminder that there is more about us than meets the eye.

She Lost Control, 74 Broadway Market, London

She Lost Control offers Aura photography readings on Fridays, Saturdays and Sundays at their shop on Broadway Market, London. You can book your session here.

Enjoyed this article?
Like ZERO.NINE on Facebook or follow us on Twitter and Instagram

Paw Paradox is a thought-provoking project by German photographer Caroline Heinecke that explores the surreal history of animal trials — where pigs, insects and even elephants were brought before human courts. By blending AI-generated imagery with documentary photography, Heinecke investigates the shifting boundaries of legal rights, ownership and agency between species.

Days on the Way

Shot entirely on an iPhone inside the women-only carriages of the Tehran–Karaj metro line, Days on the Way is Parastoo Ghahremanifard’s raw and poetic study of in-between moments. What begins as a daily commute unfolds into a meditation on silence, repetition, and quiet defiance. Parastoo documents a suspended reality where exhaustion is etched into faces. In this overlooked public space, the everyday becomes a stage for both weariness and resilience.

ENNUI

With ENNUI, Giuliana Borrelli reflects on the quiet weight of disconnection and the search for self within the spaces we call home. Moving between her childhood home in Italy and her current life in Norway, the project traces a deeply personal journey — one marked by silence, longing, and the slow, transformative act of reclaiming identity.

Soumoud In Dark Times

In Soumoud In Dark Times, Palestinian artist Rehab Nazzal documents life under siege in the West Bank during Israel’s intensified occupation from October 2023 to November 2024. Through 41 poignant images, she captures devastation, resilience, and the visual truth of a people resisting erasure during what many have called a live-streamed genocide.

Bravo

In Bravo, artist Felipe Romero Beltrán crafts a quiet yet powerful meditation on migration, identity, and resilience along the US–Mexico border. Set within the charged landscape of the Rio Bravo, his work captures the tension of waiting, where absence speaks as loudly as presence and time itself becomes a suspended, fragile state.

You Never Walk Alone

You Never Walk Alone, a photo series by Katya Ilina, offers an intimate portrait of London’s K-pop fandom. With warmth and clarity, Ilina captures a vibrant subculture where predominantly female and queer fans reclaim space, challenge gendered biases, and transform shared passion into a powerful expression of identity and joy.

Chrysalis

Chrysalis is a visual series by Georgiana Feidi, a Cluj-Napoca–based artist whose work bridges digital and analogue techniques. Exploring Earth as a living organism in transformation, Feidi blends surreal imagery, post-processing and ethereal tones to reflect on nature’s cycles, human interconnectedness, and the quiet power of planetary renewal.

What truly defines us?

Elzbieta Zdunek’s digital collages explore themes of identity, perception, and the pressure of external judgment. Her work questions how many versions of the self exist, shaped by context and subjective interpretation. Through repeated visual elements, she highlights the cyclical nature of human behaviour, the illusion of choice, and the constant tension between how we see ourselves and how we are seen by others.

Lipsticks

Objects hold stories. Not just in their use, but in their wear, their shape, and the silent they witness. In the intimate space where beauty meets routine, something deeper is revealed. This project by Stacy Greene began with a glance, but quickly unfolded into a quiet investigation of identity, memory, and form.

Die Schlange (The Snake)

With her project Die Schlange, photographer Nancy Jesse presents a hauntingly intimate and cinematic portrayal of life within a surreal architectural organism. The vast Berlin housing complex has been built above a motorway and contains over 1,000 apartments. Her use of light and framing evokes a dreamlike, almost dystopian atmosphere—subtly echoing the building's strange, pulsating core.

Fists of Hope

Fists of Hope, a quietly powerful photo documentary by Olaoluwa Olowu, follows the life of Janet, a young female boxer fighting to rise in Ghana’s male-dominated boxing scene. Set against the raw backdrop of Jamestown, this project captures not only the physical intensity of her training but also the emotional endurance required to survive invisibility, poverty and systemic neglect.

Mi Faddi

Mi Faddi by photographer Aisha Hanan Buhari is a poignant series of conceptual portraits featuring her siblings. Exploring themes of protection, family and privacy, the work reflects the challenges of living in the public eye. Rare nautilus shells are physically placed on top of the images, symbolically shielding the subjects and emphasising their preciousness in both personal and universal contexts.

Liminal Spaces

In her series, Katherine Flynn explores the beauty of liminal space—those transitional states found in abandoned landscapes and within ourselves. Working from a desert junkyard turned creative lab, she repurposes found VW mirrors and doors to frame her images, transforming discarded objects into vessels of memory, stillness, and reflection.

People Watching: Pretzel Cage

With the launch of his new photo studio in Hackney Downs, portrait artist Matt Ford introduces People Watching—an ongoing series of short video portraits featuring the individuals he photographs in the space. We are proud to present the first film featuring performance artist Pretzel Cage.

At Work

Photographer Kip Harris brings At Work to Place M Gallery in Tokyo, showcasing four decades of environmental portraiture. From Morocco to Peru, his images celebrate the quiet dignity of labour, capturing craftsmen, street vendors, and everyday workers immersed in their element. The exhibition runs May 26 – June 1.

The Anthropocene Illusion

British photographer Zed Nelson has just been awarded ‘Photographer of the Year’ for his series ‘The Anthropocene Illusion’. His work focuses beyond the destructive human impact on the natural world, examining the sterile environments humans have built to satiate our craving for natural spaces. We spoke exclusively to Zed about what inspired him, his approach and how the project developed over the course of six years.

America

Photographer Magdalena Correa presents a powerful selection of photographs at Tönnheim Gallery in Carabanchel, Spain. The exhibition revisits her most emblematic projects in Latin America, portraying remote communities through an immersive and poetic lens that captures both the rawness and surreal beauty of life on the margins.

In the Quiet Heart

In the Quiet Heart is photographer Amaan Ali’s personal take on summer camp — not just the fun and games, but the quieter moments that often go unnoticed. His images are tender and observant, capturing kids on the edges: lost in thought, drifting away from the crowd. There’s a stillness to them that lingers — a quiet honesty that feels rare and real.

Paradise

Paradise by Gian Marco Sanna is a haunting visual reflection on humanity's estrangement from nature. Through stark imagery and silence, the project explores our descent from harmony to destruction, questioning freedom, consumerism, and the illusion of progress as we drift further from the origins that once defined our existence.

Why Am I Sad

Why Am I Sad, published by Kehrer Verlag, is Dana Stirling’s moving photographic meditation on depression, memory, and healing. Through quiet still lifes and deeply personal reflections, Stirling invites readers into an honest exploration of mental health, where photography becomes both a question and a lifeline.

Daydream

In this intimate exploration, Maria Harris-Sutton explores the delicate intersection of the material and spiritual worlds. Her photographic series, Daydream, captures the ethereal space between these realms, offering a personal reflection on memory, spirituality, and the elusive moments that shape our understanding of self and connection.

...but so many good things happened to you!

Through cutting, folding, and weaving old family photos, the artist explores how joy and trauma intertwine. This tactile reworking of images reveals how even our happiest memories are shaped—and sometimes undone—by what followed them.

Fencing Without Limits

In a quiet corner of North London, where tradition meets dedication, Salle Paul Fencing Club has been shaping champions and nurturing a love for the sport since the early 1930s. Stepping inside the club on a buzzing weeknight, the energy is palpable—fencers of all ages sparring across metallic pistes, blades clashing rhythmically in a blur of movement. At the centre of this hub is Pete Eames, the Club Secretary, who offered an insightful look into Salle Paul's unique philosophy, its deep history, and its inclusive approach to fencing.

Iron Curtain

In Iron Curtain, Polish photographer Natalia Kepesz travels from Estonia to Ukraine, tracing the emotional and psychological impact of war and proximity to Russia. Through powerful portraits and quiet observations, she captures a continent on edge—where young people adjust their dreams, elders recall past horrors, and borders quietly reshape everyday lives.

Faith in Transition

In a remote valley of Northwest Pakistan, Danish photographer Laura Riis documents a quiet transformation. Her project captures the personal and cultural complexities of religious conversion among the Kalash—a small indigenous community navigating the tension between ancestral traditions and Islam. Through tender, intimate portraits, Riis explores faith, identity, and the difficult choices faced by a new generation.

Elegos

Elias Yannas Tsigounis is the winner of the inaugural ZERO.NINE Award, selected at the Cluster Photography & Print Fair 2025. His series Elegos focuses on Elias’ understanding of death as a transformative experience, following his attempt to understand his father’s passing. Elias’ work is dreamlike and abstract, but there is a physicality to the construction of these images that set his work apart. We spoke to Elias about what his work means to him.

The Mark of a Terrible Sun

Photographer Ioanna Sakellaraki presents a poetic exploration of disaster and resilience in the Pacific Ring of Fire. Through haunting imagery of Melanesia, the project blurs the line between history and myth, destruction and survival. The Mark of a Terrible Sun will be on view at Hillvale Gallery, Melbourne, Australia, from April 10 to May 11.

Ghost Notes: Portrait of Punk in Derby

Ghost Notes: Portrait of Punk in Derby explores Derby’s enduring punk spirit through portraits and sound, capturing how this subculture shapes identity and community. Commissioned by FORMAT Festival, photographer Francis Augusto documents punk’s evolution—from radical roots to modern expressions—revealing a vibrant, intergenerational movement that continues to challenge norms and foster creativity in unexpected spaces.

In The Shadow We Bloom

‘In The Shadow We Bloom’ explores themes of isolation and anonymity within South Korea's urban landscapes. Capturing people, animals, and objects, the series juxtaposes curated social media personas with the impersonal nature of city life. Through this lens, photographer Aram Tanis examines the tension between self-representation and the reality of contemporary urban existence.

Augmented Unreality

Augmented Unreality is a photographic project exploring beauty in the age of artificial intelligence. It questions how technology shapes our aesthetic ideals, often distorting beauty into a superficial and homogenous concept. By blending AI-generated images with real models, photographer Norberto Pezzotta challenges the perception of beauty, advocating for inclusivity, authenticity, and the preservation of human diversity in a digital era.

Christian Trippe

Capturing the unseen

“We use biometric sensors, a technology similar to the one in passport controls, to read the different acupressure points in your fingers, heart rate, sweat levels… and that converts into what we see in colours printed in Polaroid which is a nice keepsake.”

READ NEXT

Belly of The Giant Serpent: Prophecy

Farm Life