PHOTO STORIES
Léonard Pongo: Apophenia
Congolese artist Léonard Pongo’s first solo show in the UK, Apophenia, explores ways of knowing a place as rich and complex as the DRC. He interprets the land as a reactive entity in an attempt to show that a living body of knowledge is a valuable as other more sterile ways of knowing a place. It’s a deeply moving act of decolonisation that functions on an almost sensory level. We spoke to him about his work.
Invisible Sun
Invisible Sun is a deeply personal photography book from photographer Amani Willett and Dust Collective. A visual meditation on survival, transformation, and fragility, the project traces the impact of childhood medical traumas and the ways they continue to reverberate through the present.
No Place Like Home
Inspired by Dorothy’s famous words, No Place Like Home reimagines the idea of home as both comfort and illusion. Set within an imaginary doll’s house, the series explores memory, loss, and identity, where the longing to return collides with the inescapable confines of nostalgia, femininity, and the shifting meaning of belonging.
Gumsucker
Gumsucker by Rory King mourns the vanishing Australian wilderness and the quiet erosion of spirit that follows. Through haunting, tender images of isolation and resilience, King’s work traces the tension between nature and civilisation, where loss, memory, and belonging intertwine in a poetic reflection on the fading frontier and its lingering ghosts.
Close to Home
In Close to Home, photographer Laura McCluskey turns her lens toward her grandparents’ house on the Isle of Sheppey — a place filled with memory, love, and quiet change. Shot over a decade, the project tenderly explores family, belonging, and the healing power of returning home.
No Woman’s Land
In No Woman’s Land, photojournalist Kiana Hayeri and researcher Mélissa Cornet travel through seven Afghan provinces to document women’s lives under Taliban rule. Through intimate portraits, interviews, and collaborative artworks, the book offers a vital record of gender-based persecution — and the extraordinary resistance of those living through it.
Florida Boys
Florida Boys is a five-year photographic project by Florida-based photographer Josh Aronson that reimagines coming-of-age in the American South. Travelling Florida’s backroads with young men, Aronson stages tender, atmospheric scenes that explore masculinity, belonging and landscape. The images are presented in his exhibition at Baker–Hall (Miami, FL), on view October 18 – November 22, 2025.
Unyọñ Ufọk (Going Home)
London-based Purist Gallery presents Unyọñ Ufọk (Going Home), an intimate photo-and-film exhibition by Nigerian-British artist Emily Nkanga. From 9–11 October 2025, the show navigates grief, memory, and the emotional terrain of “returning home” through visuals rooted in Akwa Ibom, Nigeria.
From Runway to Rave
The after-show party for Matières Fécales’ latest collection at Paris Fashion Week unfolded deep into the night, a striking extension of the brand’s provocative vision. The queue outside already told us what to expect – this was the place to be. A following unique in the Fashion world, Hannah and Steven create a world, where music, art and fashion collide in the best possible way.
CHEMTRAIL: This is Killing Us
For the forthcoming exhibition CHEMTRAIL: This is Killing Us in Soho, London, artist and photographer Matt Ford has created an accompanying zine that cuts through the noise around Chemsex. Commissioned by Impulse London, the exhibition shines a stark light on the impacts Chemsex – physically and mentally. The subject remains taboo, often reduced to statistics or hidden from public view. Ford’s zine and the rest of the exhibition refuse to let that happen.
Birds of a Feather
Claire Rosen’s Birds of a Feather is a sumptuous new photobook that captures 120 live birds in vivid portraits staged against ornate, historically inspired backdrops. Blending art history, design, and ornithology, Rosen’s decade-long project reflects on beauty, belonging, and humanity’s complicated relationship with nature.
Saṃrachanā
Saṃrachanā is a photographic meditation by New York-based artist Haren Mehta, exploring Rajasthan’s cultural architecture through the luminous setting of Jaisalmer. Blending symbolism, tradition, and innovation, the series reflects on how form becomes language, honouring Rajasthan not just as a destination but as a living composition of identity and craft.
Fruiting Bodies
Photographer Ying Ang’s latest photobook, Fruiting Bodies, debuts at the New York Art Book Fair. Exploring mushrooms as biological and feminist symbols, Ang’s intimate images challenge conventional ideas of fertility, aging, and the female body. The work reframes postmenopausal life as a site of intelligence, presence, and quiet power.
Actions on Béjar: Memory, Participation, and the Visual Poetics of Place
In the Spanish town of Béjar, once a thriving textile hub, participatory art and photography converge to explore memory, absence, and collective imagination. Acciones sobre Béjar transforms public spaces and personal narratives into visual and poetic archives, revealing the town’s past, present, and potential futures through dialogue, gesture, and community.
Now You See Me
We are proud to present Now You See Me, an editorial by Barcelona-based photographer Sofia Luz. Inspired by the book of the same name, the series explores lesbian identity through striking visual codes, celebrating resilience, visibility and authenticity. Luz’s bold imagery bridges past struggles with present-day expression, offering a powerful ode to diversity and the beauty of living unapologetically.
Blue Valentines
In Blue Valentines, Russia-based artist Ida Anderson transforms the fragile form of a postcard into a vessel for memory, loss and longing. Using the cyanotype process, she renders Moscow in shades of haunting blue — part love letter, part elegy. Juxtaposing tenderness with unease, these images ask what it means to belong, to leave, and to remember a homeland fractured by war.
The Enchancted Ones
In The Enchanted Ones, photographer Stephanie Pommez invites readers into the mystical world of the Ribeirinhos, the river dwellers of the Brazilian Amazon. Shot entirely on 35mm black-and-white film over three years, her work captures the profound bond between nature, myth and community. Centering on traditional midwives, the book unveils a culture where ancestral knowledge, storytelling and the unseen converge, blurring the boundaries between reality, memory and imagination.
A Quiet Homage
A Quiet Homage invites viewers into a contemplative space where art history and contemporary sensibility meet. Drawing inspiration from the harmony and sensual poise of the Italian Renaissance, the series reinterprets classical motifs through a modern lens of sustainability and restraint